Eloise Grehan pointed us towards another Palestinian poet, Fady Joudah. It is so beautiful, so thanks to Eloise! She said this about the poem:
For me I often find concise, apparently simple, poetry can be some of the most impactful. And the frame of the child’s voice can offer us some of the deepest truth.
Today, according to tradition, we celebrate ‘Holy Monday’, the significance of which (according to an AI search engine) is as follows:
Monday following Palm Sunday, also known as Holy Monday or Great and Holy Monday, is significant in Christianity as a day commemorating events from the last days of Jesus’ life, particularly the cleansing of the temple. It’s a day to remember Jesus’ actions and teachings in the temple and his reaction to its commercialization.
It occurs to me that we all think that the significance of that shocking story of Jesus turning over tables in the temple – which can be found in three of the four gospels – applies to others, never ourselves. Sometimes the story has reinforced antisemitic messaging. At other times it has been used to throw stones at other peoples religion. I have used it as a way to point fingers at the unsustainable economic and ecological practices (mostly of others) – I have even written poems based on it. I almost posted one of them here.
But instead, let’s pause.
We know all that already.
What is in our space? What is in our hands? What does holiness look like where we are. where we live, where we share, where we spend?
Here is another one of Chris Fosten’s delicious poems to help us in our pondering. Here is what he said about this poem:
I read some George Herbert before Christmas last year and really connected with some of the pain in his poem The Sinner – which is where the phrase “shreds of holiness” comes from. He laments that when he looks into his heart, despite his intentions, he seems “pil’d vanities” and only shreds of holiness – dregs that are small in comparison to where he feels he should be. It struck a chord, and the phrase remained lodge in my mind for weeks._
Shreds of holiness (after George Herbert)
As others lament it is all they have left, I search for my own. The “shreds of holiness” buried within, despite my resistance. It had not occurred to me there was a meaning other than pious to that word – the holy that others cherished or enviously eyed. A prize to win not a state to find, an airy dismissal of all without it. But then I understood George Herbert’s pain, his shock at how far he felt it was from him, and I knew I couldn’t earn this but I could find it within, if I knew where to look.
So we come to the last official day in Lent. Our journey is not quite over though, because Holy Week begins…
It feel important to end this part with prayer. For this, we turn again to the poetry of Chris Fosten. We will be hearing from him some more during the week ahead.
“The human being is a continuous prayer” is a quote I came across from the Nobel Laureate John Fosse which immediately hit me as something profound. Many think of prayer as an act at the extreme end of the scales: in times of desperation or celebration. But it made me think about everything that should count as prayer – the mundane, the gloomy, the unexciting, and it came out as this prayer/poem._
“The human being is a continuous prayer”
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For those days I wake up stomach already knotted, head swimming, confidence sluicing away with the shower: amen.
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For the days I salt my tea, press Reply All to emails, eat messy meals when I chose to wear a new white shirt: amen.
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For the days when words don’t flow as readily as tears, pressure weighs heavy and I can’t see past the fog and the rain: amen.
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For the moments when morning feels so far away, senses cannot cope with more, the mind refuses to speak to other parts of me: amen.
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For the screw-ups and triumphs, grazes and graceful leaps, the endless wonder of imperfection: thank you and amen.
Today, I wanted to offer up some of the wonderful Kae Tempest.
This poem always hits me hard. There is so much anger, but so much hope, so much love. If this were in church, I would regard it one of the finest sermons I ever heard.
Here is a photo from a walk the other morning through a frosty, early Spring wood. I startled deer. The app on my phone recorded the song of scores of birds. Why do we resonate so much to this environment? Perhaps this poem (again from ‘Reaching for mercy’) by Mehrin Almassi might give some clues…
Ever-Listening, by Mehrin Almassi
The majestic called to me today, in the form of an old tree stump As I gazed on it, all my childlike instincts set in I knew I had to obey its guidance or I would be left with a most unsettling sense It has happened before that I have ignored the bidding of the ancient but doing so has caused distress so I have learned better to follow Up and up I progressed towards to its muted top. Careful to keep my footing as the core beckoned Slowly then I rose to be standing on my feet in the very midst of the elder planted deep below A mingling of sensations came - defiant fear, a rush of adrenaline, a centring connection with all that is My place in the scheme of things momentarily clear I was a child of earth, an extention of each life force, just one of the countless number, reliant on its providence In readiness now I linger, awaiting the next word...
This is a picture of an artwork installed at the head of Loch Earn, Perthshire, called ‘Still’ by the artist Rob Mulholland. It is made of hundreds of shards of polished metal, which seem to be blowing off into the wind when viewed from behind or the side. What at first glance seems solid and unchanging, firm against the landscape is then revealed as being in motion, in process, in relationship.
But still.
Here is a poem from the Proost ‘Reaching for Mercy’ poetry anthology that seems appropriate. This poem is by Sam Donaldson.
Be Still, by Sam Donaldson
Stop Be still And breathe deeply Breathe deeply Into the mystery Of being anything at all Stop
Be still And step out Out of the comfortable cages Opening wide your eyes To recieve wider horizons And the great unknowns As you would a long lost friend
The road less travelled calls for you So throw wide your doors And embrace adventure Life waits for you So take the risk To let go of all you know And live outrageously
Hold out your hands Break bread Give generously Embrace solitude Pour yourself a cup of tea And set aside time To nurture seeds To write To paint To sing To dance And to listen to a silent hour Under a star-filled sky
Stop Be still Breathe deeply And see There was never any need for sacrifices For the real exhibition was always free You were surrounded by presence The whole time
Today, I want to share with you a small poem from Mahmoud Darwish, the wonderful Palestinian poet, from the book above, ‘A river died of thirst.’
In his poem ‘The Essence of a Poem,’ Darwish says this:
“All beautiful poetry is an act of resistance.”
– Mahmoud Darwish, The Essence of a Poem
Yesterday, amid the many statistics of death in Gaza, we heard the news of the killing, one by one, of 15 emergency workers from Red Crescent, the UN and the fire service as they tried to reach injured people. The bodies and broken vehicles were then bulldozed into a hole. The only way things like this can be done by humans to humans is if they start to see each other as not human. Perhaps poetry is one of the ways that we re-humanise. If so, let us reach for poetry.
Here is Darwish’s poem ‘If it were not for sin’:
If It Were Not for Sin, by Mahmoud Darwish
It is not as Adam Thought! If it were not for sin If it were not for the descent to earth The discovery of misery And the temptation of Eve If it were not for the longing for a lost paradise There would be no poetry Nor memory And eternity would be no consolation.
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