Today we are grateful once more for the explosion of creativity that is ‘The Many’, who have offered this beautiful poem.
Advent day 15, what are we waiting for?
Today we are grateful once more for the explosion of creativity that is ‘The Many’, who have offered this beautiful poem.
Today we have a lovely poem by our friend Hannah. It concerns itself with the renunciation of limitation. May it soar.
The Word dances
Spoken in limitless light
the Word
he dances
down
to twirl us
through darkness
to leap with us
into and through fear
(of the light
of the unknown
of our own capacities)
joining hands
with the low and lonely,
delighting in surprise.
Renouncing limitation
the Word
born in the cold
speaks:
inviting us all to forget ourselves –
and join the general dance.
By Hannah Caroe 2025
The wonderful painting above (by Jaclyn Stuart) takes us to a dark place in this Advent/Christmas story, known as the Massacre of the innocents in which the Magi visit Herod and he, fearing a new king, orders the slaughter of all male infants in Bethlehem up to two years old. It is an account only found in the gospel of Matthew chapter 2, versus 16 to 19. The fact that the other three gospel writers failed to mention it, and there is no corresponding historical record means that many theologians read this as a narrative device in wihch Matthew underlines the vulnerability of Jesus and the place of Messiah in the great sweep of prophetic history.
There is perhaps another way for us to understand these events just now. There is no darker deed than the mass murder of children in the name of political power or expediency. Remember that at least twenty thousand children were killed over 23 months of conflict in Gaza, and even now, during the so called ceasefire, two children a day continue to die.
It was into this reality that Christ came.
It is into this reality that Christ comes.
What do we do with this idea? There are times when following the great peace maker means we must resist, but even then we are first called to love, love, love. We still gather with those around us and hold each other, gift each other and feast each other.
Bone
There are clouds in the eastern sky
Made from pulverised houses
And powdered bone
Humans are expended yet
Feasting is not suspended
For we must love
Love, love
We must love
Chris Goan
Today we have a treat – a brand new song from our friend Ant and his band Lofter. This song was written and recorded in the last couple of weeks and we love it.
Ant has generously given this song as a download if you want to use it.
Advent Lament
Live in hope
All of me
Make it all new
One of us
Christ will be
Make the world true
Live in peace
All of me
Make our ways right
Bring us close
Help us see
Step out in light
Live in joy
All of me
Let your truth bring
Lift me up
Set me free
Help my heart sing
Live in love
All of me
Make our path clear
In your strength
Hear our plea
Draw our hearts near
I am over in Ireland just now on a family visit to an ailing father. The travel and the gravity of it all would be grinding, if not for two things. Firstly, I am not alone because Will, my adult son, is with me, driving the hire car and keeping things light and level. After the care home bedside we raised a Guiness together in my father’s favourite bar. Now we wait at the airport, sad but despite it all, something deep is shifted.
The other reason I feel blessed is because of an awareness privilege of belonging. I am an outsider by temperament but my place in things is held by the padded fabric of goodness that others do not benefit from. The streets of Belfast are full of them. It breaks my heart.
Here in a land I have never lived I have status. Ihave citizenship. I have family. I am travelling not away but towards.
in this place where there had been so much violence and flag waving I am safe.
This poem comes to mind.
Nationality
I don’t believe in borders
Or the tyranny of maps
I fear the way they fence us in
And split the white from black
So I will not raise up Saltires
Nor wave the Union Jack
I will not sing those angry songs
My troops will not attack
What makes us what we are?
Whose stories are we telling?
What mix of blood pumps through these veins
Whose products are we selling?
What shades of grey do we convey?
Whose history compelling?
Who pipes the tunes, who reads the runes?
In whose land are we dwelling?
Send them out then bring them home
Let roads be laid wide open
This way of love, the pilgrim path
Requires walls to be broken
Then we lay down in fold of ground
Where soil is warm and welcome
The crops we sow must surely grow
For the rains fill up the ocean
Chris Goan
Cam asked me to provide something for today. That’s a tall order. I’m no poet or writer. No artist or musician. I guess I could use someone else’s art. And I just thought, what is moving me?
Hope.
It has been a very difficult week for me. A week that is going to take some bouncing back from. It might be months. And so, you hang on to what you do have, don’t you?
Hope.
I was so grateful to our friends The Many for sharing Before We Have Hope with us on Sunday. ‘Grateful’ doesn’t come close. ‘Broken’ might be better. These words:
Before you have hope,
deep hope,
not cheap hope,
you must first listen to the truth of your own secret sorrows and sins.
Name the unspeakable within you.
Criminal and saint,
tax collector and Pharisee,
broken and whole,
lost and found
Both.
All.
All at the same time.
So, I carry ‘hope’. Put one boot in front of the other. And walk this path.
I wonder at the sunset.
I inhale the crisp air.
I see my own breath.
I dream about what’s down that valley.
And let the tears come.
Thank God for hope.
Today, we dive back into the archives for a piece by Ben Norton, within the collection, “Espresso Scriptures,” a Proost collection from 2009. In the words of Ben, “rip out a page and grab yourself an espresso and pause for a moment.”
We’ve paired it with a piece entitled, “A Christmas Confession,” from “Hold This Space Pocket Liturgies,” a Proost collection from 2008. Let these words, and the beautiful depiction of the infant Jesus, “The Boy Who Saved The World,” by Jaclyn Stuart, wash over you.
While they were there, the time came for the baby
to be born, and she gave birth to her firstborn, a son. She
wrapped him in cloths and placed him in a manger,
because there was no room for them in the inn. (Luke 2:6-7)
"There was no room for them in the inn". This was not
because Joseph was late - it was meant to be this way.
There was just no room for this baby, and how true is
this story still today! The world still misses the point of
God coming to us. It misses the point that we can have
peace that outlasts everything.
May our lives, this Christmas time, be mangers that give
somewhere for Christ to be found.
- Ben Norton, Espresso Scriptures (Proost 2009)
We can scarcely believe it, God,
this story of your birth in the world.
We rationalise and reason,
we read the headlines and we doubt,
and still, we hope, desperately,
that it just might be true.
If we have lost faith in the promise of change,
unwrap our doubt to make a space for love.
If we only know despair over your church,
unwrap our grief to make a space for joy.
If we’ve been angry with your people,
unwrap our resentment to make a space for peace.
If we’ve looked back on the past nostalgically
unwrap our sentimentality to make a space for life.
If we’re looking forward cynically,
unwrap our scepticism to make a space for hope.
God, if we have lost the faith to believe that you are
making your world and your church new,
unwrap our darkness to make a space for light.
Amen.
- Cheryl Lawrie, "A Christmas Confession," Hold this Space Pocket Liturgies (Proost 2008)
Today, we share two paintings entitled “How Long O Lord,” by Julie Barber, striking paintings, filled with anguish amidst genocide. The above one features the Arabic word سلام (Salam) and the other in Hebrew, שָׁלוֹם (Shalom), which both mean Peace. Perhaps your eye is drawn to the newspaper clippings in the background, or the people holding their children. It’s deeply expressive of pain, but also impresses upon us, and likely upon Julie as she was creating it.

We have a new poem from Cameron Preece, turning his attention to the creativity at the centre of the mystery of the Incarnation.
People who work with words, sound, colour, and craft often speak of the hidden life within things. The poet and priest, Gerard Manley Hopkins, spoke of this as their inscape, that unmistakable individuality each creature or moment carries within itself. Hopkins saw this as something more than character; it was the divine and deep pattern that makes a thing what it truly is. And he spoke of instress as the impulse or pressure that allows us to perceive that inner shape, the way the Divine pushes its meaning towards us through the world if we are attentive enough to receive it.
Centuries earlier, Maximus the Confessor described a similar movement through different language. He understood the Logos, the divine Word, as the source and coherence of all things, and the logoi as the countless expressions of that wisdom and intention scattered through the fabric of the world: in creatures, in relationships, in beauty, in our capacity to recognise meaning at all.
This poem stands where these intuitions meet. It wonders what it means for the one who sustains the world’s inner patterns to step inside them; for the artist not only to imprint meaning upon the work, but to inhabit it from within. It considers how the world might bear the quiet pressure of its maker’s presence, and how being human, ordinary, fragile, embodied, beautiful, might itself become a place where the deepest meanings press forward and become visible.
Who is this God
Who hides in flesh and blood
Who lies in and around bone and marrow
Who hides within the rays of sunset
And floods for rain
The twinkle of moon and stars
"The Word became flesh and lived among us,"
Like how the poet is expressed in the poem
And the sculptor who lives in prints in the sculpture
Becomes the clay,
While the painter, the painting.
The pianist pours herself out
In performance
And composer in the composition--
Who is the veiled deity
Defining humanity
Through self-expression?
"I am poured out like water,
and all my bones are out of joint;
my heart is like wax;
it is melted within my breast;"
Prayer becomes pained poem
And poem, pained prayer
Promise becomes pained waiting
And waiting, waiting still
"Peace I leave with you; my peace I give to you. I do not give to you as the world gives." (John 14:27a)
What is this kind of peace?
Today, something different – in response to this gorgeous image entitled “Conception” by Jaclyn Stuart, we dip into an older poem by a famous poet.
Jaclyn’s painting is part of a body of work she created a few years ago called Advent reflections, which were exhibited in St Andrews during advent. We are so grateful to her for offering them to Proost to use during this season, The image above is entitled ‘Conception’.
The poem we have chosen to follow on in this theme of incarnate becoming is by the Austrian poet Rainer Maria Rilke. Born into a strict religious family, he came to reject Christianity – he once described God as ‘The cathedral we are building’ – yet he continued to pursue the divine. In one of his poems he describes God as having lost poetry but says that when he comes to his knees the poems quietly flow back to him.
It is perhaps this kind of of fear/courage, faith/doubt, emptiness/presence that resonates so much with our advent longing. It can only be lived, not captured.
“Go to the Limits of our Longing”
by Rainer Maria Rilke, from Rilke’s Book of Hours: Love Poems to God. © Riverhead Books, 2005.
God speaks to each of us as he makes us,
then walks with us silently out of the night.
These are the words we dimly hear:
You, sent out beyond your recall,
go to the limits of your longing.
Embody me.
Flare up like flame
and make big shadows I can move in.
Let everything happen to you: beauty and terror.
Just keep going. No feeling is final.
Don’t let yourself lose me.
Nearby is the country they call life.
You will know it by its seriousness.
Give me your hand.
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